I.
There are some fairy tales purposely
forgotten
Masked
scabbard of the Interferon
Embark
me now! Harken deep!
Pincers,
heather-gray
residing,
in the chaos
of
the fay
The
scope, the breadth—
freshest
are the forceps of
wealth,
so forcibly inhaled
Squeeze
play…last to first
Squeezing…intensely
Rein
in the misgiven logic
harness
the bit displayed
bridle
order, offer reprieve
To
a day, unbeknownst, but veritably
In
a somatic state of disarray—
II.
Covet the uniform less distinguished
than the dignity displayed so
prominently upon the crest
One
must love
before
they hate
One must hate
before they can love
each,
alone,
flawed
and frayed—
destitute and drowning-in
a
parabola of valor
affixed and spent
dignified only
by
the wash and wring
In-together
refined
in the rough edges met/completely
blent/a
merger into one—mixing free—to
a
place once lost by me
III.
Music is built upon the foundation of
every emotion we possess. We should
carefully consider what melodies possess us full.
No
longer have we become isolated
no
longer has the interlocutor lost his tongue
proscription,
no longer in mask or shaded by
the
fear of what is laced within belief—
The
opposition grows unbearable
we,
haunt the fragments that cluster
in
despair—in perilous decree—
then,
will understand, will see….
all
that is alive in the make-belief
world
of inspiration found in song
IV.
There are some things we should never
wish for or openly accept without dutiful consideration.
Go
back forward
thirsting
greater
whet
for the knowledge never meant to sate—
hidden
amidst the decorations are the words
and
agility— of thousand-year-old invisible men
Where
ginger henpecks snarl forth
and
exaggerated bindings scoff retorts
Where
scarlet footfalls shed flaked skin
to
dais—ever raising until
gone
by
to
the sounds
of
sepulchral tones
fade…
faded…
fading
still…until
awake
you grow
resurrected
from
your bed—
of pebbles,
topping boulders of stone
V.
The bronzed veil of the squandered
dove
attracts our prey and walls the dam
from cracks that call…
Erosion
marks,
plated
tint
fireflies….alive
in glint
yet
such a flash, bears the seeds—
That
correlate the actions of fessing men—
directing
us to the locations where
Attributions
are all but lost—
where
even the squalors flee
this
pathetic excuse for symphony
Enter
the hyperstatic repository
built
upon the domino’s gradated sweetener
and
force-fed mortar—by the shaking hands of tankards
alive,
if only to cozen the salivation out from within…
pip
to pip it effectively simulates a contagion effect
Burbling
are the salivary dreams—
Of
cuticles brittle, where bristling trumpets signify
the
aloof designs for higher power
Impossibly
vacant, yet acting out…
solely
to manufacture a reason for
assembling….
A
sacrificial toolkit, intent on discovering
the
phantasms hovering, closely, near
Where
candor has played second fiddle to cowardice…
Now.
Vis-à-vis, brazen impudence stutters naught—
boldly
affronting the dignity dishonored by such weakening
strife’s…
VI.
If vision is the object of your desire,
then sight
shall presently appear…
But be forewarned
you may not won’t like
the images you are now to see!
The
reavers are coming—
reapers
and raiders, cannibalistic kin—
rising,
continuously, from infernal abeyancy
The
reavers are coming! The reavers are coming!
to
purge both blessed and cursed,
to
remind all and every
their
scourge and bane
Ensconced
abrasions quickly form,
from
sentient pockmarks to boils forged
The
reavers are here
to
burn the bridges built up high
The
reavers are coming
Please
pray and hide
Until
the strong and proud live freely unafraid,
The
results you see will remain the same
Until
the worst in man can come out,
To
produce the true fear buried deeply south
The
reavers will come and seek man out
The
ferel beasts will not relent
They’ll
destroy without regret,
producing
widows and widowers
along
their seditious course
The
youth are spared,
yet
only so the scars can breathe
the
foul memory
of
their death to come
The
reavers have never been defeated
never
a casualty to claim
they
come and crush
and
rattle calm
they
brutalize the damned
but
bow naught their heads
for
the countless innocent’s
they’ve
also slain
VII.
The Final Act is always the most
disappointing
Eradication
begins….
when we wedlock our sins
Masked
scabbard of the interferon
save
me now…
for I’ve lived a thousand years
and, as one might surmise,
the years have not
been kind.
I’ve never had to beg
so please do not make me now
Bear
me my golden veil
for without,
I
fear
this
reign
will
be short-lived
wow fred - its an easter epic! - the gift that keeps on giving... the section breakdown is always a good idea for a project of this length and depth...
ReplyDeletesome great standout lines keep the flow ebbing...and the line layout is perfectly in tune with the scale and scope...
sonically sweet with some V.cool alliteration -
Po Mo Po -
nice one Fred :)
holy cow this is epic man...great titles to each section...the second one i def jive with and so true...and nice closure int eh last one as well...well done...
ReplyDeleteWow, when you flow, you let it go and you let it go so well. :)Love
ReplyDeletehttp://leah-jamielynn.typepad.com
Poetical Fred. TG I wear my anti-reaver vest 24 / 7.
ReplyDeleteThousand year old men, I like that, and feel like one on days when I'm tired.
Hope all's well.
There is so very much in this one, Fred, it's hard to home in on one thing...but, I will. I really liked how you numbered the verses and led in with bold font. Very effective. And there are some marvelous images, not to mention a few words I need to look up! Near-epic write.
ReplyDeleteFred, this is a large work, but each of these could stand equally on its own. I love how the piece comes full circle in the last set of verse. Really well done!
ReplyDeleteThis was fun,Fred, in terms of feeling inspired by music, but also, extremely sweeping and detailed, with a lot of lines that give you a dig as you pass by--I esp liked some of the more surreal descriptive notes, like "Where ginger henpecks snarl forth/and exaggerated bindings scoff retorts/Where scarlet footfalls shed flaked skin.." and "Erosion marks,/plated tint
ReplyDeletefireflies…alive in glint.." The reavers and the thousand year old men gave it an underlying plot, as well...nice tie off at the end. Epic is the only word I can come up with to sum it up.
You sure spun quite the tale, some lines truly stuck as I went through and I could picture some fairy tale esque and others kind of reverse. Also reavers got stuck in my head and I couldn't place where I heard it, finally remembered it was Gears of War, those ones were defeated thankfully though.
ReplyDeleteThis is an epic, as I've said before you get into these pieces with Shakespearean gravitas. I had to hold on as you went from interferons (though maybe I got the reference wrong now that I look again and see it is capitalized) to reavers (Firefly? and reapers are hardwired to Mass Effect in my mind). However, with somatic I thought I was on the right track through a disease (though metaphoric) of faith. The part about melodies struck me deeply as a composer. The sense of 'knowledge never meant to sate' and a 'sacrificial toolkit, intent on discovering the phantasms hovering' permeated the piece for me. A haunting write (especially the youth spared) with immense scope, crafted diction, and an intriguing narrator.
ReplyDeleteAh! what a journey through culture changes as well as fantastic structure and flow whilst keeping the reader thirsting ahead. I particularly love "Rein in the misgiven logic
ReplyDeleteharness the bit displayed
bridle order, offer reprieve
To a day, unbeknownst, but veritably
In a somatic state of disarray—" Such a tone is set here to preceed perfectly the next refrain. I really like your art of transferring one refrain to the next...pleasure to read. Pam
This just rolled effortlessley- and what a poem- where did this come from? Reminded me of a blend of the traditional like Milton but with a disctinctive modern voice. very well composed and creative, intersting form
ReplyDeleteWhat a poetic journey...I specially like section 4 and that section 6 was too chilling for me.
ReplyDeleteThanks for all your kind words in my blog Fred. I appreciate your support and encouragement ~
What a powerful journey thru so much verbal territory. I felt like an archeologist unearthing so many layers of subjective history, moving on thru a surreal history of creation and destruction, promise and damnation. This has words that call up half-images, whose half-lives continue to radiate packets of meaning after the journey to one more illumination of internal space/time. It's an odd feeling that occurs when words open up possibilities of meaning that attach themselves to life but also stand off and remain distant, somehow stretching out always into the potential for self-awareness. Excellent poem.
ReplyDeleteheck fred...what a journey you took us on...love how you develop this step by step...epic indeed...lots of things to like...think the music part struck me most..awesome
ReplyDeleteI love your form here, with the numbered parts. I would like to experiment more with serial poetry. Love the line "In a somatic state of disarray" and "The Final Act is always the most disappointing".
ReplyDeletewow this is epic..nicely done!
ReplyDeleteWhat an immense piece. I'm not sure what to say except - thoroughly original and darn amazing. Hats off to you, buddy
ReplyDeleteI'm late to post. I have to read this some more to make a more cogent comment. On first read I can only say I'm impressed by the depth and weight of it. Thanks!
ReplyDeleteEach one seems to be a tale in itself. I like the section titles. 2nd one seems to talk about how being whole and together is how the rough edges seem to disappear because one compensates and patches the other. I like III -- I often listen to music to boost a mood. Metaphorically, the tune could become one, as habits and constant exposure to certain things does. IV -- I really like the section for the strange visions in it, it feels a chamber full of voices where at the end the sleeper awakes feeling bruised somewhat -- pebbles and boulders. Hammered.
ReplyDeleteReavers stanza is straightforward violence, destroying every If anything it seems that disaster that rocks us to the core is inevitable. The worst in man coming out scares me the most. The last section does sound like some kind of pleading despite the narrator not wanting to beg.
This epic piece on the whole is quite a symphony of words.
Wow, I am impressed with the depth and intensity of this write!
ReplyDeleteExquisite lines! Love the titles for each section. The way you broke it up helps the epic flow.
ReplyDelete