Showing posts with label Sound. Show all posts
Showing posts with label Sound. Show all posts

Saturday, September 22, 2012

Life in a Turkish Prison


Bow scratches turn of phrase
etchings in the sounds that bare
forgiveness in a misguided mar

Hollow point, shells of heart
delineated barracks in a song
less known than the emotions it follows

Ravenous, maestros of delectability
evening scars protrude, as seams often encounter
an atlas unseen, where if one would’ve
gleamed, the circled sect would indicate the x inside

Swish about the sunken sediment
refurbishing its place in the swirls
in a game, of cat and mouse, moments
before the tilt back ends the misery from which
its momma swells/in the language she’s feigned ignorance for

A Turkish prison is not known as your epitome of grace
Life in the bowels of deceit can easily mistake a smile
From what is nothing but a variation of the frown

Tuesday, May 29, 2012

(Sequentially formatted tiers) of Thematic Voiceovers

It's Tuesday, and in a little over an hour, Claudia will open the doors to the D'Verse pub, manning the taps all night long, listening to the tunes, err. poems that are linked for Open Link Night tonight.  So head on over, take in the poetry and share one of your own.  

Fallen from utopian pools of aquamarine
into the outstretched arms of hazel green

A society of drones,
cut in symmetrical frames,
out of identically chosen casts and molds

The skies bleed the Heavens of ethereality,
songs matriculate from summits to cirrus bands,
fortifying the oxygen with inorganically formed bass and treble led compositions of unidentifiable sounds

We then find ourselves unable
to deny, the automaton within
bones no longer our own.

These actions lay the groundwork
for what the soundtracks here
provide.


Wednesday, May 2, 2012

Wolves Near





There are wolves and they are near,
Legs stiffen and
Jaws gape

This.  Always.
My first decay

Come sit with me
Here, in virtual space,
Where the sidewalk
Cracks are tarred smooth-over

Cadmium bereft
Retracting the revolving
Tongue of the spackled
String

Of contracts and consequence
Predictive swarms cluster forming
the shape of dream

…and as the howls echo in the distant background…I still perceive each note, as if still beating within my chest

Friday, February 24, 2012

Amidst Suppressive Noise


Into a kettle-cloud’s
Deafening eye,
Elapsing; scattered through,
A prism’s dying,
Shaded hue

Vision skewers
Ordinary life,
Impaling the mundane
Cacophonic strife;
Eliciting the strange

A powdered fray
Blurs the node
Unto erasure’s
Threshing code;
Severing mesh from curve

The rhythms of neutrality unnerve,
Heroic monstrosities, bred for night,
Obstructing the pristine view—
Some of darkened gloss; some armored in light,
Each, reminders of what’s in you

Explosions and facades thereto,
Detonations of slander,
Indifferent to the life you bore.
Tearstained shells, forever in wander—
Endlessly trawling jagged shores,
Delicately toed yet forever proud.
        

I was just playing around with structure today.  For this particular piece, I was going with a 25 line acrostic poem, five stanzas of five lines each.  However, the last stanza I wound up using 6 lines, as I thought edited worked better than edits. 

I also used a structured rhyme scheme here: Abcbc, Cdede, Efgfg, Ghihi, Ijkjka.

Tuesday, January 24, 2012

The Mistress of the Eve

It's tuesday once again, and that means the bar is open over at D'Verse for Open Link Night.  Stop on by, check out some great poetry and while you're there submit one of your own.


Shades of thyme, a wake in
The missed stress of the eave

She butchers breath at the lip
She stutter-steps the blood to drip

Slow lea erased
Slow lea
A loan to keep her guard in place
The missed stress of the eave
A strained grass widow leaves

To those who did not know
To those who cared not to
Oft thinly labeled her
Whore… Ur-Tare her,
Cull lapsed; she died
A rash on all

But the missed stress of the eave
Until then,
Always rose above them all



Tuesday, November 29, 2011

Musicality


Polyphony
Survived—
A testament to
Counterpoint

The Tie or bind
Two as one
Jumping to-
The portamento mark eclipse
Coupuring
All the jagged stops and starts

Progression
In homophony—
Quodlibets,
Impossible to play apart

Most precious slur
Curving arc
Legato lives;
Staccatissimo falls apart  
Pennillions familiar song
Uniquely departing form
Extemporization
In Dulci Jubilo;
Perhaps the intonation here,
Was not clear as clear can be,
Yet
In such a method
Intonation appeared
In lyric’s unrehearsed symphony
The Coda
The song of the swan
Graceful yet—
Malinconia’s Sturm und Drang
Frosts wings unflown,

Sul Ponticello (On the Bridge)
Strigendo’s squeezing every inch
Durchkomponiert indeed

For all the complexity
For each the Stimmung tuned
It is bound to be
 Symphoneta ceases polyphonic mastery

In Finale, yet again
I must explain, oft skated
 Frozen ice. (Attaco subito)
Cracks downy sides
Unfurling feathered flight
As disparity drowns,
In Sul Tasto’s warming glove
And we then Know:

“Sumer is Icumen In”