Friday, October 12, 2012

Descending Verse


    Too many decisions, too few choices
Hues contrast faces, Lines fade voice    
           In corridors of conundrum
 Conversations break then hide
    Where colors crawl to die
    Dreams tend to falter
  When blinding view
        Oh, so cruel
         Can you
            Be

A story takes on many shapes and forms
                  Idling between grandiosity
       And tepid legends running worn
     Leaving watermarks and tears
      Atop the lost word’s brown
         Misguided guilt glides
            Un-gently down
          The Spines of
       Seams once
         bound

Lost tears saved, amassed in a Mason’s jar—
  Commingling with the saddening stares
       Is a lonely state, too pronounced
           To shy, too painful to bear—
   When hearts become hardened
     Thoughts often feign sick—
         Who then, Who Will
             Care for these
                Unknown
                  Tears?

                A feeble meandering at midnight
                Infamously thrusts maleficence
                      Into familiar tones of grey—
               Wearing masks, attaching to
                  Parts carefully concealed
                          As if the shadows
                          Can preclude us
                                    Willfully—
                                  Without
                                     Cost

Over at D'Verse, Form-for-All is in full effect by now.  Tonight we were introduced to a Welsh verse known as the Englyn.  I have to admit, I gave it the old 15 years removed from college try, but unfortunately, I kept getting stuck, again and again and again.  Eventually I had to walk away, perhaps return to the form in a day or so, where hopefully a fresher mind will prevail. 

I definitely urge you to head on over though, hopefully you'll have better luck with it then I did.  It's a shame I couldn't get it down tonight, as reading through what's linked up, it does produce some really neat and fun poems.  The article is fantastic too, spells it out for you, gives some history, examples and plenty of links for further research.  It's so thorough, that I'm sure it's not as hard as I found it to be, one of those things I guess.  Perhaps one of those things where you go back and wonder how you struggled the first go-round.  Anyhow, definitely give it a try, but certainly read what the others have linked up, I think you'll enjoy yourself.

That all said, I thought I'd stick to the overall Form theme tonight and decided to remain in the syllabic state of mind as well.  I went with Descending Verse and did 4 descending poems, 10, 9, 8….1.  Always a good time with these, and super simple, which apparently is all I was able to handle tonight :)

Thursday, October 11, 2012

Ghost in the Pane

Captive of This House, photographed by Moondustwriter


Face fleshed press to glass
In a prism of this stifling
Cartography—
Uncharted waves of tempered light
         Spatially charged with a dimension
Infused into all
                           Memories remain, yet soon shall fade
Clinging tight you dare not cede
         The last shreds of
Life and dignity

                  And I wonder why
                  Why’d you evade the reaping?
                  How is it his sickle found not thee?
                  Are you afraid, of how things will be,
                  When fragments are all that remain,
Incessantly tormenting with their sparse refrains?
                 
                  I don’t know whether to smile or cry
I can’t decide if should pray for the reaper’s return
For I can’t see a fate forever resembling vengeance—
And here I must cry, for hell never had you in its plans…

For the New World Creative Union and their weekly Wednesday Wake Up Call.  Head on over, check out the prompt, read/view/experience the creativity on display, then get inspired, pretty impossible not to, link up and share your inspiration with everyone at the NWCU.

Wednesday, October 10, 2012

Moveable Feast




Serration, bone to steel
Flesh—august in size, reeling—as moon-dance
Retracts its severance clean—immobilizing each the touches call

Penetrating, as one might a birthday cake, icing fresh the frosting of the elder pull—deliberating the wish to his recall—A whet-some yen shivers to pang—expiring through renewal, prior to the first arrival of a candle’s expending spell

Fever travails preeminent quells upon a selfish stage,
A variety of salts spray acerbically into the risen wound—
Gashed, unsealed, tormenting the object of permutations crave

Five-course offerings sustain savored grips to greed,
Where corporeal reins unbridle thee—beckoning forth a beacon to what this hunger weaves—writhing, as do wanton words, stricken roué from the expiated speech spoken by the faithless tongue

Shards of decadence purvey the hedonic vale, while
Sweet temperance restrains caution’s warning aright,
Creation stands in splendor, formulating realities from this succulence inside

Carving stations imbibe, in marinades a march to the witness stand—Marionettes proceed, as automatons—eager to obey this parlance prepared with that, which is offered as an exemplary of love

Provision’s table preserves those affirmations told, blindly braising catered affections toward pot-luck’s creed—“from whatever is available, a moveable feast is hence pronounced.”

Symphonic measures waive discordant beats—and yet, our fast bears gifts of providence, draying deep the depths untaught

Tantalizing archaeometries boldly season lust’s sautéed prevarications, as glimpsed within starvations
eye—proffering an awareness to the unfinished measures entwined resolves—
Telemetries unnoticed culinary fare, can, and often shall, alter the associations conducted by one’s own essence—where in that, the otherwise self-reserved—march pedantically—to arrhythmias held aglow—aroused by, in, aroma’s capacious light

Forbearance, indoctrinated by depravity, commiserates amongst the ranges tined apart—from whence once there lived dormant a voracity dispersed, now spurned reaches ensnare us from delicacy and it’s fanciful fate preserved, whilst, here astir, are now such strange edacities aligned

Is it illusion or dominion o’er its savored self? Breadth—breaded in charisma, dignity—seared and fried, unclothing of its sired mystery, dancing deep and baring all—a prelude to the tendered fragrances beheld by imagined sin

Exposure is surmounting—resiliency’s ceding to this simmering felt—mixing, churning taste to touch—celestial flavors adroitly spooned within

Steadfastly engorged, the thickening becomes—glazing’s sticky-sweet spreading thin, until the unraveling of will succumbs anent desire’s lissome kiss  

Through a bronzed seduction—exigencies claim throne again—dictums pronounce, all denials be denied…and echoic of the evening prayer, indulgencies reap concurrence loud…for what passion sows…God shall not withhold… such longings repressed for Heaven’s gain…need not be-gone nor untold any longer…

In rapt, mere moments from, the sprig of parsley shall go unmentioned, as it rests—abandoned, like the guilt deposed hollow by permissions song—

Regret may loom austere in times we’ve yet to meet, yet tonight…indulgency’s smile can only dared be replaced, by the psalms permeating through the apertures of need, blessing all those dining before the salvation’s granted here, where all creatures have a seat, at this, the table of God’s feast


Well, missed a whole week of posting.  Feels good to be back on tonight.  I've dealt with them on and off for years now, but hopefully these little funks I find myself in don't become as regular as they've been over the past couple months going forward.  Definite thanks to all the awesome poetry I did get a chance to read over the past week though.  Thank you Ipad:)  I do apologize for not commenting for the most part, just hadn't been up to it.  

But, that said, I did really love the two prompts since last weeks OLN.  Anna had a killer Postmodern article that I encourage everyone to read if they haven't done so yet.  While obviously missing out on the event itself, I have posted my piece for Meeting The Bar, from 10/4/12 over on my WP site, for those who want to check it out.

And for this piece I'm sharing now, for Open Link Night 65, is inspired by Claudia's Foodloose Poetics post from this past Saturday, 10/6/12.  Using food in one's poetry can be done in so many fashions, and adds flavor to one's work.  I'm guessing you like poetry, and if you also like food, (who doesn't right?), then you'll love Claudia's article and the delicious poems linked up to the Poetics event.  


Tuesday, October 2, 2012

The Quest for Artistic Relevancy in an Era of Complacency





Beat Sample
         A rush to judgment
                  in the world of parallel ties
custard cream swabs to skin
         brisk mornings still in states of gin
carving one’s niche often requires a period of trial and error
          how we view the errors
 often dictates how quickly the double blinds begin

Dub Frenzy
         viral campaign
                  demonic strain of wherewithal
damage…
         broken harness…reigning in
damage…
         Hecates scar
upon the aortic wall
         and, all for
WHAT?
         A groove in a time of slow Jazz
                  A riff in the era of the balladeer
                           A solo while attraction is clearly in the corner of creative collaboration…
         bucking trends is admirable on paper
                  yet once your artistic gumption is clearly on display
                           slowly rock aback
until you are innocently enough
         back rocking the beats
                  in a sample of desire
                           in a temporary purge of inner fire
rage…
         adapt.
spin.
spin.
         SpIN

Another Tuesday is upon us, and as per the wonderfully recent tradition that is D'Verse, Open Link Night is here again.  Doors open at 3pm, so get out your pen and bring your poetic appetite, for this night is always hopping, with the best coming out in everyone.  See you there.  Cheers!