Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts
Friday, February 22, 2013
Love Graffiti Style
Love,
Compressed or constantly
F
L
O
W
I HOW DO YOU KNOW?
N
G
All Around
&
Alive
w/
Love,
Compressed or
constantly
F l
ow
in how can one tell?
g
Stop on over to D'Verse, where for this weeks Meeting the Bar, Anna is exploring Graffiti and how it relates to the world of poetry. Definitely a D'Verse you don't want to miss.
Sunday, January 13, 2013
Growing Up
![]() |
Unborn Unto Oblivion |
Stu opened up the D'verse floor for his Poetics night at the pub with the question of Growing up. Really a lot of ways one could tackle this theme and I highly recommend going over to D'Verse and checking out Stu's excellent article and all the incredible pieces shared by the poets there, of which, we'd all love to read what your response would be. So, if you get the inspiration, simply compose your own poem on Growing up and then follow the link guidelines to join on in.
Growing up,
Is the combination of innovation and experience
Growing up,
is but a step by step approach to a paint by numbers scheme
Growing up,
Is everything you've never seen and all you wish you never did
Growing up,
Is the gamut of emotions and the ability to call them up upon command
Growing up,
Is sacrifice
Growing up,
Is Never letting them see you sweat
Growing up,
Is not being afraid to quote a deodorant's slogan
Growing up,
Is elation and joy
Growing up,
Is universality
Growing up,
Is arthritis, hypertension and grey hair
Growing up,
Is individually wrapped
Growing up,
Is mass marketed and overproduced
Growing up,
Is both in Hardcover and in Paperback
Growing up,
Is seen in both digital and analog
Growing up,
Is to love and to know, if you haven't loved yet, you still can
Growing up,
Is having a plan
but also knowing when to crumple it into a ball and toss it away
I could've quoted Kenny Rogers
but I'm currently boycotting poultry
and I don't have a handle on the strike zone quite yet
Growing up
Is making the decisions that do not have
alternatives
Growing up
Is knowing that sometimes failure increases
victory
Growing up
Is learning not to provide the valid
argument
Growing up
Is owning one’s fears and trepidations
Growing up
Is appreciating your most unattractive
qualities
Growing up
Is not making a choice at all
Growing up
Is eating the last piece
Growing up
Is foregoing what you truly desire
Growing up
Is not caring what anyone thinks
Growing up
Is simultaneously exploding and imploding
Growing up
Is letting your opponent win
Growing up
Is extending equality to all things
Growing up
Is walking upon eggshells while blindfold
Growing up
Is acting oafish to accomplish the most
delicate of tasks
Growing up
Is allowing immaturity its due
Growing up
Is making dreams out of house dust
Growing up
Is not suppressing what is welled inside
Growing up
Is ensuring nightmares are seen through
Growing up
Is getting it
Growing up
Is nonchalant, ambivalent, carefree and
lethargic
Growing up
Is yesterday, today and tomorrow
Growing up
Is shrinking
Growing up
Is not giving a damn
Growing up
Is incongruent
Growing up
Is fatalistic
Growing up
Is dancing with two broken legs
Growing up
Is to travel into the belly of the lion for
the last safety clip
Growing up
Is moving from the individual to that of
the collective
Growing up
Is plagiaristic
Growing up
Is necessary
Growing up
Is gesturing, solely to say hello
Growing up
Is forgetting to make your farewell rounds
Growing up
Is not taking oneself so seriously
I could've quoted Kenny Rogers
but I'm currently boycotting poultry
and I don't have a handle on the strike zone quite yet
Growing up is inevitable, so enjoy it while you can
Sunday, August 26, 2012
Intemperance: The Insignificant Parallel of a Denigrating Identity
![]() |
Bottles by Borg de Nobel / http://borgeous.wordpress.com / used with permission / For Poetics: Borg de Nobel @ D'Verse, hosted by Claudia Schoenfeld |
9 to nine
aligned, atop some fragile ledge-
at least that is how it once appeared-
when we regretfully never paid much attention- to the
finite desires and infinite dreams of those details deemed
as immaterial noise-whitened by conundrum and muted under
the guise of second nature-
when we had already forgotten the appearance of our first
Broken, fragmented, blurring, shard-like daggers-
driven deep, from the imagined dimension residing
only inches behind the retinae-
Corroded by dancing apparitions,
unconcerned with division or caste-open wide,
lean back-until
the spine quivers from denial-
and then
through design
beg
for antidotal reassurances-
where it won't matter
if you fabricate
the meaning and the mores
as long as the intention is
to propagate an atmosphere
unique to here
by lipstick and whitewash-
careening imagery
blends into smear-
only to seek shelter
from the dirty mugs that persevere-
the hours, drenched in withdrawal-
yet ever awakened at the slightest scent
elixirs, potions, prescient concoctions
potent yet potable
protraction in non-invasive postures-
bled fresh for that falsified sickness burrowed impossibly within
withering
bottles of what-might-have-been,
condemned by their isolated indiscretions-
validated through witless reminiscence
and the scouring that envelopes all
enlivened beasts-
Where the frothing disturbances blink-
concomitantly with exaggerated frames-
originally built for the demons of phoresy-
the remoras of your world-worthless in
many ways, yet still, you allow them passage
in bewildering effervescence,
adulations, you've grown too frail to dwell upon
and despite all things antithetical to a state of proper
being, you gain a fondness, a possessive remorse unto-
alternating chromatics
imbuing the hearth with
flames that burn
flush, flashing forth from
a lost prism's fire-
where forgotten
invitations colate and concur
in dystopia's
cascading obfuscation
Make sure you head on over to D'Verse, and read through Claudia's excellent write up. If you're like me, you'll really find the Q and A between her and Borg de Nobel fascinating. Finding poetic inspiration through her art was extremely easy. In fact, it was virtually impossible not to find inspiration. That said, if you like this piece or any of the other's from Claudia's article, do yourself a favor and check out the artist's site, lots of excellent pieces there.
And, I guess, I might as well throw in some shameless self-promotion here. I also paint for fun, digitally though, and have an art blog as well. While not really even in the same conversation as the work Borg does, but I do a lot of abstract, experimental painting, that perhaps you might enjoy.
Labels:
abstract,
Alcoholism,
Art,
Borg de Nobel,
disease,
dverse,
forfeiture,
Inspiration,
pain,
Paintings,
poem,
Poetics,
Poetry,
psychology,
Reading,
recording
Tuesday, August 14, 2012
Gaia Hypothesis
A
zephyr’s kiss, of gusts and gales,
slowly
strips the suffocation
from
a mid-march air
A
cloistered cache, evinced
of
polarizing vespers—found strung,
tied
within a vanguards gate
Harbingers
of a typecast trichotomy,
bred
to enunciate meaning behind the
grammars,
masticating upon wisdom eschewed
Angels
laced in iron-wrought
spiral
indecision, sidling tween
walls,
vaults and seam
The
cost an artist pays
endowing
life unto each
his
renderings
Lucid
posterns—unhinged
by
premeditative discrepancy—
release
the encrusted panes
Onyx
painted Oriels—jut in cantilever
supporting
cornice and balcony
amassing
all which jalousie would not let glow
II.
Where
ravens spite elocution’s cause
smiting
foundations teem in gaze, as
vociferates
travail miasma’s stygian haze
Of
beleaguered artisans—indentured
and
accosted by, philosophies buried deep,
within
the fissures of an unripe mind
Burnt
by reactions—forepassed, bygone—
already
in the apertures, ever-afflicted
by
assiduous decline
Emotive
assailants inaudibly defined,
by
repeals bound asunder to both
infinite
space and burrowed time
While
piercing deep the flesh, simply to feel something,
newborn
talons scar
what
attrition’s left to be tamed—
And
as the chasm sprawls, its untenable vortex
spreads
wide and vast—until ouroboros forms first gasp;
a beacon, indicating that soon, the future
will become the past
Friday, August 3, 2012
Descendants of Moreau
…and
the aroma dangles in the air
Slowly
sifting attention away
From
all that is and will surely be to come
Armbands
are snipped, calling forth the next in line
Slowly
sifting attention away
From
the Fibonacci sequencing at hand
Armbands
are snipped, calling forth the next in line
Collapsing,
when confronted by the red ghost behind the door
From
the Fibonacci sequencing at hand
Perils
form in the mixed metaphors that are tears
Collapsing,
when confronted by the red ghost behind the door
Etching
rivers unto thighs—for fear’s signature cannot be forged
Perils
form in the mixed metaphors that are tears
Rancor
amongst pretentious veils, falsely uncovering discoveries felt
Etching
rivers unto thighs-for fear’s signature cannot be forged
Ominously
carving variety unto allele’s unseen
Rancor
amongst pretentious veils, falsely uncovering discoveries felt
In
the name of Science, detestable explorations commence
Ominously
carving variety unto allele’s unseen
Under
the direction of men who truly believe themselves Gods
In
the name of Science, detestable explorations commence
From
all that is and will surely be to come
Under
the direction of men who truly believe themselves Gods,
…and
the aroma dangles in the air
For Sam Peralta's Form-For-All Pantoum prompt over at D'Verse. Stop on over to D'Verse and make sure you read Sam's excellent write up regarding this form. It's one of my favorite forms and I think you'll find it both challenging and exhilarating to compose. Check out what the poets have created in their Pantoums and while at D'Verse, think about creating and sharing a Pantoum of your own, as there's still time to get your poem linked up with the others. Cheers
For Sam Peralta's Form-For-All Pantoum prompt over at D'Verse. Stop on over to D'Verse and make sure you read Sam's excellent write up regarding this form. It's one of my favorite forms and I think you'll find it both challenging and exhilarating to compose. Check out what the poets have created in their Pantoums and while at D'Verse, think about creating and sharing a Pantoum of your own, as there's still time to get your poem linked up with the others. Cheers
Labels:
Art,
art rage,
D'verse,
Dr. Mengele,
Dr. Moreau,
Experimentation,
formforall,
forms,
Painting,
Pantoum,
poem,
Poetry,
Reading,
recording,
sadistic,
unnatural
Saturday, May 12, 2012
"It's about Wild things," who Gnu…{OS} "No, it's about monsters"
Over at D'Verse they're talking about Wild Things. Stop on over for the beer, but stick around for the poetry on tap. Cheers.
When I was a child
I could care less
where the wild
things were…for I already
knew, it wasn't a them
but a him, yep, Charlie
Sheen, in one of
the funniest films on
baseball every made…the
original one people…the original
But as I mentioned
in the opening line
I was a child. Yes,
a child but not a child
without interests..that's for certain.
I saw those many monsters
atop lunch pails, on books
kids were reading with some
attendant I had far too early
a crush on. But hey, that's
pre-pubesence, yep…
I actually remember one kid
I knew, he had his math book
covered in wild things print, I had
a plain grocery bag cut to fit…I'm
who I am, and he's…well I really
don't know, never cared to...,
but now that you got me thinking about
it, I know a guy who knows a guy who
knows a girl that could probably tell me…
But I was a kid, a kid that liked what he liked
and knew what he thought he liked and those
drawings never impressed me much…nope
I preferred transformers, GI Joes and comic
art…thought these wild things were embarrassing
to be considered in the same industry that could boast the likes of Frank Miller..yep
wolver-fn-rine. Now that was a wild thing, for sure, with
bones made of invincible steel that could protrude from his
knuckles as he saw fit and a body that self healed…yeah, that
dude was badass…and his name was Logan for crying out loud, now
that's a name…
But I was a child back then and didn't really appreciate many of
the things I do today…I didn't know the first thing about the ologies,
nope, Psychology, Philosophy, Sociology, these things were not a sprig
on my uneaten dinner plates….
But, today, things are a bit different…and I look at things with a much broader view, one filled with an appreciation for novel creations, uniqueness and open to suggestion/acceptance…
So, while I still don't particularly think these wild things are the prize of the art world, I appreciate what they are, and how they do what they do…
lines that reek of instability
Disproportions mirroring the inner mind
Monsters…a metaphor….yep
for society and for our own personas…we most certainly can be and it's important to understand this, and it's important for us to embrace this, so we can keep them under wraps…
So…long story a bit longer than intended here….that dude crafted some pretty deep things there in his wildest of imaginations come to life…and that
is
cool.
Very cool.
And who would have ever thought
A child would have to mature
to enjoy what a monster represents.
And it's sad when anyone passes before there time, but at least, this author got to spread so much of his imagination to children everywhere, and to late blooming adults as well...
When I was a child
I could care less
where the wild
things were…for I already
knew, it wasn't a them
but a him, yep, Charlie
Sheen, in one of
the funniest films on
baseball every made…the
original one people…the original
But as I mentioned
in the opening line
I was a child. Yes,
a child but not a child
without interests..that's for certain.
I saw those many monsters
atop lunch pails, on books
kids were reading with some
attendant I had far too early
a crush on. But hey, that's
pre-pubesence, yep…
I actually remember one kid
I knew, he had his math book
covered in wild things print, I had
a plain grocery bag cut to fit…I'm
who I am, and he's…well I really
don't know, never cared to...,
but now that you got me thinking about
it, I know a guy who knows a guy who
knows a girl that could probably tell me…
But I was a kid, a kid that liked what he liked
and knew what he thought he liked and those
drawings never impressed me much…nope
I preferred transformers, GI Joes and comic
art…thought these wild things were embarrassing
to be considered in the same industry that could boast the likes of Frank Miller..yep
wolver-fn-rine. Now that was a wild thing, for sure, with
bones made of invincible steel that could protrude from his
knuckles as he saw fit and a body that self healed…yeah, that
dude was badass…and his name was Logan for crying out loud, now
that's a name…
But I was a child back then and didn't really appreciate many of
the things I do today…I didn't know the first thing about the ologies,
nope, Psychology, Philosophy, Sociology, these things were not a sprig
on my uneaten dinner plates….
But, today, things are a bit different…and I look at things with a much broader view, one filled with an appreciation for novel creations, uniqueness and open to suggestion/acceptance…
So, while I still don't particularly think these wild things are the prize of the art world, I appreciate what they are, and how they do what they do…
lines that reek of instability
Disproportions mirroring the inner mind
Monsters…a metaphor….yep
for society and for our own personas…we most certainly can be and it's important to understand this, and it's important for us to embrace this, so we can keep them under wraps…
So…long story a bit longer than intended here….that dude crafted some pretty deep things there in his wildest of imaginations come to life…and that
is
cool.
Very cool.
And who would have ever thought
A child would have to mature
to enjoy what a monster represents.
And it's sad when anyone passes before there time, but at least, this author got to spread so much of his imagination to children everywhere, and to late blooming adults as well...
Saturday, April 14, 2012
Of Art and Passengers (A Subway Tale)
A kaleidoscope of ethnicity
compressed
Flavors permeate the
nostrils through transmutational
remnants still wafting about the air
Diagonal, vertical,
slits form breaks
then
stops and
when ready
starts again
only. for these. pauses
to refresh newly formed
Every pang once felt
forgets its cause,
each pain you feel
salts away before the
peppered points of tear
after a gritty stairs descent
a newfound attachment
to ever-altering straits
of atmosphere appears,
is discovered, forgotten
and rediscovered once more
the comfort of warming
sensations resonate to
the gullet of an individual
existence
alone, this portrait of
warmth, is a cycle held
dear, for between both
hands, and through every
biting glance, a variance
of spice and pleasure
emanates within
passageways recall
those sacred memories
of long lost times and
even longer days,
where you're only care
was being clothed and dry,
swaddled full upon the
primitive satisfactions that
enrich each and every morsel
of woman and man
art forms in flashes, scrawled
upon supporting beams and
along the seams of darkened
apportioned tracts of tunneled
walls, where the only vision
beyond the flickering bulb that
sways to the trains fleeting feet
is that of the composer and the
architect, as withered fingers
paint away by these unnamed
scribes of the underground
and in these too fast to recall
moments of rapture,
both the observers, poised from
their catbird seat, to the artist,
swimming faster
than retinae can scan,
both arrive at such a place
where a new artistic movement
is revealed within
at each the platforms,
the faces alter form
and air expands, contracts,
from thick to thin,
from thin to thick
In the winter months
you may not care about
the close comforts of
strangers, processing and
surveying your every inch,
feeling out your very story,
as surmised from the touching
warmth of an impossibly captured
palette of voluminous shapes and
shades of skin
In the summer the space
is prayed upon, for it's
eagerness to cool, but
occasionally, perhaps we don't
mind as much,
for coverings
are vaguer than they are
other points of the year,
and the depths
below the concrete jungle
are cool in their subterranean
melody
and then the change falls
clink-clink-clink
the cards are punched
reminders of the day of
month, sometimes year
but the transaction is far from done,
the conductor's voice replays, repeating
under the covers entering the dreams
you carry within
I never cared much for subways or
people for that matter. I can't
say much has changed, but change
has occurred, this much I cannot deny
for once poetry caught me in it's net,
every experience and vision
seemed to come alive, each breathing
a song that only I can fully hear
and I never even discussed the conversations,
the ones that only I could hear,
the ones jumbled together, the
passages of sound and speech,
I patch to form
the ever-changing conduction
of symphonic sound
I never speak of those dear words,
for those transactions, are as sacred as
the nap-sacks and gold studded black
suitcases, white-knuckle clutched close
to traveling hand
Head on over to D'Verse tonight and check out their weekly Poetics feature, where Claudia has offered up this Subway inspired prompt. Come read what others have linked up and while you're there, as always, link your subway poem to share.
compressed
Flavors permeate the
nostrils through transmutational
remnants still wafting about the air
Diagonal, vertical,
slits form breaks
then
stops and
when ready
starts again
only. for these. pauses
to refresh newly formed
Every pang once felt
forgets its cause,
each pain you feel
salts away before the
peppered points of tear
after a gritty stairs descent
a newfound attachment
to ever-altering straits
of atmosphere appears,
is discovered, forgotten
and rediscovered once more
the comfort of warming
sensations resonate to
the gullet of an individual
existence
alone, this portrait of
warmth, is a cycle held
dear, for between both
hands, and through every
biting glance, a variance
of spice and pleasure
emanates within
passageways recall
those sacred memories
of long lost times and
even longer days,
where you're only care
was being clothed and dry,
swaddled full upon the
primitive satisfactions that
enrich each and every morsel
of woman and man
art forms in flashes, scrawled
upon supporting beams and
along the seams of darkened
apportioned tracts of tunneled
walls, where the only vision
beyond the flickering bulb that
sways to the trains fleeting feet
is that of the composer and the
architect, as withered fingers
paint away by these unnamed
scribes of the underground
and in these too fast to recall
moments of rapture,
both the observers, poised from
their catbird seat, to the artist,
swimming faster
than retinae can scan,
both arrive at such a place
where a new artistic movement
is revealed within
at each the platforms,
the faces alter form
and air expands, contracts,
from thick to thin,
from thin to thick
In the winter months
you may not care about
the close comforts of
strangers, processing and
surveying your every inch,
feeling out your very story,
as surmised from the touching
warmth of an impossibly captured
palette of voluminous shapes and
shades of skin
In the summer the space
is prayed upon, for it's
eagerness to cool, but
occasionally, perhaps we don't
mind as much,
for coverings
are vaguer than they are
other points of the year,
and the depths
below the concrete jungle
are cool in their subterranean
melody
and then the change falls
clink-clink-clink
the cards are punched
reminders of the day of
month, sometimes year
but the transaction is far from done,
the conductor's voice replays, repeating
under the covers entering the dreams
you carry within
I never cared much for subways or
people for that matter. I can't
say much has changed, but change
has occurred, this much I cannot deny
for once poetry caught me in it's net,
every experience and vision
seemed to come alive, each breathing
a song that only I can fully hear
and I never even discussed the conversations,
the ones that only I could hear,
the ones jumbled together, the
passages of sound and speech,
I patch to form
the ever-changing conduction
of symphonic sound
I never speak of those dear words,
for those transactions, are as sacred as
the nap-sacks and gold studded black
suitcases, white-knuckle clutched close
to traveling hand
Head on over to D'Verse tonight and check out their weekly Poetics feature, where Claudia has offered up this Subway inspired prompt. Come read what others have linked up and while you're there, as always, link your subway poem to share.
Saturday, January 14, 2012
A Question of Artistry (part II)
Artists
Among
Artistry
Delving
deeper
Into
the space
Where
art
And
ART
Meet
Does
a spot exist, amidst the boils of creation, for respect?
Or
will the Artist, flee from tradition—
To
expression’s end,
And
find value
In
the incorporation
Of
the old with his new artistry
Will
a jade pin collapse
The
pore-like jitters *Conscience)
And
will the tingles properly
Illustrate
what mind believes
May
be inappropriate if not damnable
Or
will
The
Artist
Create
As
he’s always done
And
has
Always
been encouraged to do
Or
will he abandoned
All
he ever knew to know
All
he ever knew how to be
Labels:
age,
Art,
brash,
ego,
elder,
experimental,
ignorance,
lack of respect,
metaphor,
poem,
Poetry,
respect,
understanding,
youth
A Question of Artistry (part I)
Masked
men
Plates
of white
Tailor-trimmed
In
skull-black
Artistry.
Columns
of withered
Wearisome
antiquity,
Shying
away from the
Fact
they are historic,
All
they feel is ancient.
If
restoration
Is
all that can be
To
save their days
To
share,
To
brighten their reds and greens
To
offer future children
Countless
days to stare
Is
that enough—
For
these elders to keep breathing
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