Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Friday, February 22, 2013

Love Graffiti Style


Love,
Compressed or constantly
F
L
O
W
I                 HOW DO YOU KNOW?
N
G
All Around
&
Alive
w/
Love,
Compressed or
constantly
F l
ow
in               how can one tell?
g


Stop on over to D'Verse, where for this weeks Meeting the Bar, Anna is exploring Graffiti and how it relates to the world of poetry.  Definitely a D'Verse you don't want to miss.

Sunday, January 13, 2013

Growing Up

Unborn Unto Oblivion

Stu opened up the D'verse floor for his Poetics night at the pub with the question of Growing up.  Really a lot of ways one could tackle this theme and I highly recommend going over to D'Verse and checking out Stu's excellent article and all the incredible pieces shared by the poets there, of which, we'd all love to read what your response would be.  So, if you get the inspiration, simply compose your own poem on Growing up and then follow the link guidelines to join on in.


Growing up,
Is the combination of innovation and experience
Growing up,
is but a step by step approach to a paint by numbers scheme

Growing up,
Is everything you've never seen and all you wish you never did
Growing up,
Is the gamut of emotions and the ability to call them up upon command
Growing up,
Is sacrifice
Growing up,
Is Never letting them see you sweat
Growing up,
Is not being afraid to quote a deodorant's slogan
Growing up,
Is elation and joy
Growing up,
Is universality
Growing up,
Is arthritis, hypertension and grey hair
Growing up,
Is individually wrapped
Growing up,
Is mass marketed and overproduced
Growing up,
Is both in Hardcover and in Paperback
Growing up,
Is seen in both digital and analog
Growing up,
Is to love and to know, if you haven't loved yet, you still can
Growing up,
Is having a plan
but also knowing when to crumple it into a ball and toss it away

I could've quoted Kenny Rogers
but I'm currently boycotting poultry
and I don't have a handle on the strike zone quite yet


Growing up
     Is making the decisions that do not have alternatives
Growing up
     Is knowing that sometimes failure increases victory
Growing up
     Is learning not to provide the valid argument
Growing up
     Is owning one’s fears and trepidations
Growing up
     Is appreciating your most unattractive qualities
Growing up
     Is not making a choice at all
Growing up
     Is eating the last piece
Growing up
     Is foregoing what you truly desire
Growing up
     Is not caring what anyone thinks
Growing up
     Is simultaneously exploding and imploding
Growing up
     Is letting your opponent win
Growing up
     Is extending equality to all things
Growing up
     Is walking upon eggshells while blindfold
Growing up
     Is acting oafish to accomplish the most delicate of tasks
Growing up
     Is allowing immaturity its due
Growing up
     Is making dreams out of house dust
Growing up
     Is not suppressing what is welled inside
Growing up
     Is ensuring nightmares are seen through
Growing up
     Is getting it
Growing up
     Is nonchalant, ambivalent, carefree and lethargic
Growing up
     Is yesterday, today and tomorrow
Growing up
     Is shrinking
Growing up
     Is not giving a damn
Growing up
     Is incongruent
Growing up
     Is fatalistic
Growing up
     Is dancing with two broken legs
Growing up
     Is to travel into the belly of the lion for the last safety clip
Growing up
     Is moving from the individual to that of the collective
Growing up
     Is plagiaristic
Growing up
     Is necessary
Growing up
     Is gesturing, solely to say hello
Growing up
     Is forgetting to make your farewell rounds
Growing up
     Is not taking oneself so seriously

I could've quoted Kenny Rogers
but I'm currently boycotting poultry
and I don't have a handle on the strike zone quite yet 

Growing up is inevitable, so enjoy it while you can
    
    





Sunday, August 26, 2012

Intemperance: The Insignificant Parallel of a Denigrating Identity

Bottles by Borg de Nobel / http://borgeous.wordpress.com / used with permission /
For Poetics: Borg de Nobel @ D'Verse, hosted by Claudia Schoenfeld




9 to nine
aligned, atop some fragile ledge-
at least that is how it once appeared-
when we regretfully never paid much attention- to the
finite desires and infinite dreams of those details deemed
as immaterial noise-whitened by conundrum and muted under
the guise of second nature-

when we had already forgotten the appearance of our first

Broken, fragmented, blurring, shard-like daggers-
driven deep, from the imagined dimension residing
only inches behind the retinae-

Corroded by dancing apparitions,
unconcerned with division or caste-open wide,
lean back-until
the spine quivers from denial-
and then
through design
beg
for antidotal reassurances-

where it won't matter
if you fabricate
the meaning and the mores
as long as the intention is
to propagate an atmosphere
unique to here

by lipstick and whitewash-
careening imagery
blends into smear-
only to seek shelter
from the dirty mugs that persevere-

the hours, drenched in withdrawal-
yet ever awakened at the slightest scent

elixirs, potions, prescient concoctions
potent yet potable
protraction in non-invasive postures-
bled fresh for that falsified sickness burrowed impossibly within

withering

bottles of what-might-have-been,
condemned by their isolated indiscretions-
validated through witless reminiscence
and the scouring that envelopes all
enlivened beasts-

Where the frothing disturbances blink-
concomitantly with exaggerated frames-
originally built for the demons of phoresy-
the remoras of your world-worthless in
many ways, yet still, you allow them passage
in bewildering effervescence,
adulations, you've grown too frail to dwell upon

and despite all things antithetical to a state of proper
being, you gain a fondness, a possessive remorse unto-


alternating chromatics
imbuing the hearth with
flames that burn
flush, flashing forth from
a lost prism's fire-
where forgotten
invitations colate and concur
in dystopia's
cascading obfuscation

Make sure you head on over to D'Verse, and read through Claudia's excellent write up.  If you're like me, you'll really find the Q and A between her and Borg de Nobel fascinating.  Finding poetic inspiration through her art was extremely easy.  In fact, it was virtually impossible not to find inspiration.  That said, if you like this piece or any of the other's from Claudia's article, do yourself a favor and check out the artist's site, lots of excellent pieces there.

And, I guess, I might as well throw in some shameless self-promotion here.  I also paint for fun, digitally though, and have an art blog as well.  While not really even in the same conversation as the work Borg does, but I do a lot of abstract, experimental painting, that perhaps you might enjoy.

Tuesday, August 14, 2012

Gaia Hypothesis




A zephyr’s kiss, of gusts and gales,
slowly strips the suffocation
from a mid-march air

A cloistered cache, evinced
of polarizing vespers—found strung,
tied within a vanguards gate

Harbingers of a typecast trichotomy,
bred to enunciate meaning behind the
grammars, masticating upon wisdom eschewed

Angels laced in iron-wrought
spiral indecision, sidling tween
walls, vaults and seam

The cost an artist pays
endowing life unto each
his renderings

Lucid posterns—unhinged
by premeditative discrepancy—
release the encrusted panes

Onyx painted Oriels—jut in cantilever
supporting cornice and balcony
amassing all which jalousie would not let glow

II.

Where ravens spite elocution’s cause
smiting foundations teem in gaze, as
vociferates travail miasma’s stygian haze

Of beleaguered artisans—indentured
and accosted by, philosophies buried deep,
within the fissures of an unripe mind

Burnt by reactions—forepassed, bygone—
already in the apertures, ever-afflicted
by assiduous decline

Emotive assailants inaudibly defined,
by repeals bound asunder to both
infinite space and burrowed time

While piercing deep the flesh, simply to feel something,
newborn talons scar
what attrition’s left to be tamed—

And as the chasm sprawls, its untenable vortex
spreads wide and vast—until ouroboros forms first gasp;
 a beacon, indicating that soon, the future will become the past







Friday, August 3, 2012

Descendants of Moreau






…and the aroma dangles in the air
Slowly sifting attention away
From all that is and will surely be to come
Armbands are snipped, calling forth the next in line

Slowly sifting attention away
From the Fibonacci sequencing at hand
Armbands are snipped, calling forth the next in line
Collapsing, when confronted by the red ghost behind the door

From the Fibonacci sequencing at hand
Perils form in the mixed metaphors that are tears
Collapsing, when confronted by the red ghost behind the door
Etching rivers unto thighs—for fear’s signature cannot be forged

Perils form in the mixed metaphors that are tears
Rancor amongst pretentious veils, falsely uncovering discoveries felt
Etching rivers unto thighs-for fear’s signature cannot be forged
Ominously carving variety unto allele’s unseen

Rancor amongst pretentious veils, falsely uncovering discoveries felt
In the name of Science, detestable explorations commence
Ominously carving variety unto allele’s unseen
Under the direction of men who truly believe themselves Gods

In the name of Science, detestable explorations commence
From all that is and will surely be to come
Under the direction of men who truly believe themselves Gods,
…and the aroma dangles in the air


For Sam Peralta's Form-For-All Pantoum prompt over at D'Verse.  Stop on over to D'Verse and make sure you read Sam's excellent write up regarding this form.  It's one of my favorite forms and I think you'll find it both challenging and exhilarating to compose.  Check out what the poets have created in their Pantoums and while at D'Verse, think about creating and sharing a Pantoum of your own, as there's still time to get your poem linked up with the others.  Cheers







Saturday, May 12, 2012

"It's about Wild things," who Gnu…{OS} "No, it's about monsters"

Over at D'Verse they're talking about Wild Things.  Stop on over for the beer, but stick around for the poetry on tap. Cheers.


When I was a child
I could care less
where the wild
things were…for I already
knew, it wasn't a them
but a him, yep, Charlie
Sheen, in one of
the funniest films on
baseball every made…the
original one people…the original

But as I mentioned
in the opening line
I was a child.  Yes,
a child but not a child
without interests..that's for certain.

I saw those many monsters
atop lunch pails, on books
kids were reading with some
attendant I had far too early
a crush on.  But hey, that's
pre-pubesence, yep…

I actually remember one kid
I knew, he had his math book
covered in wild things print, I had
a plain grocery bag cut to fit…I'm
who I am, and he's…well I really
don't know, never cared to...,
but now that you got me thinking about
it, I know a guy who knows a guy who
knows a girl that could probably tell me…

But I was a kid, a kid that liked what he liked
and knew what he thought he liked and those
drawings never impressed me much…nope
I preferred transformers, GI Joes and comic
art…thought these wild things were embarrassing
to be considered in the same industry that could boast the likes of Frank Miller..yep
wolver-fn-rine.  Now that was a wild thing, for sure, with
bones made of invincible steel that could protrude from his
knuckles as he saw fit and a body that self healed…yeah, that
dude was badass…and his name was Logan for crying out loud, now
that's a name…

But I was a child back then and didn't really appreciate many of
the things I do today…I didn't know the first thing about the ologies,
nope, Psychology, Philosophy, Sociology, these things were not a sprig
on my uneaten dinner plates….

But, today, things are a bit different…and I look at things with a much broader view, one filled with an appreciation for novel creations, uniqueness and open to suggestion/acceptance…

So, while I still don't particularly think these wild things are the prize of the art world, I appreciate what they are, and how they do what they do…

lines that reek of instability
Disproportions mirroring the inner mind
Monsters…a metaphor….yep

for society and for our own personas…we most certainly can be and it's important to understand this, and it's important for us to embrace this, so we can keep them under wraps…

So…long story a bit longer than intended here….that dude crafted some pretty deep things there in his wildest of imaginations come to life…and that
is
cool.

Very cool.
And who would have ever thought
A child would have to mature
to enjoy what a monster represents.

And it's sad when anyone passes before there time, but at least, this author got to spread so much of his imagination to children everywhere, and to late blooming adults as well...

Saturday, April 14, 2012

Of Art and Passengers (A Subway Tale)

A kaleidoscope of ethnicity
compressed

Flavors permeate the
nostrils through transmutational
remnants still wafting about the air

Diagonal, vertical,
slits form breaks
then
stops and
when ready
starts again
only. for these. pauses
to refresh newly formed

Every pang once felt
forgets its cause,
each pain you feel
salts away before the
peppered points of tear

after a gritty stairs descent
a newfound attachment
to ever-altering straits
of atmosphere appears,

is discovered, forgotten
and rediscovered once more

the comfort of warming
sensations resonate to
the gullet of an individual
existence

alone, this portrait of
warmth, is a cycle held
dear, for between both
hands, and through every
biting glance, a variance
of spice and pleasure
emanates within

passageways recall
those sacred memories
of long lost times and
even longer days,

where you're only care
was being clothed and dry,
swaddled full upon the
primitive satisfactions that
enrich each and every morsel
of woman and man

art forms in flashes, scrawled
upon supporting beams and
along the seams of darkened
apportioned tracts of tunneled
walls, where the only vision
beyond the flickering bulb that
sways to the trains fleeting feet

is that of the composer and the
architect, as withered fingers
paint away by these unnamed
scribes of the underground

and in these too fast to recall
moments of rapture,
both the observers, poised from
their catbird seat, to the artist,
swimming faster
than retinae can scan,
both arrive at such a place
where a new artistic movement
is revealed within

at each the platforms,
the faces alter form
and air expands, contracts,
from thick to thin,
from thin to thick

In the winter months
you may not care about
the close comforts of
strangers, processing and
surveying your every inch,
feeling out your very story,
as surmised from the touching
warmth of an impossibly captured
palette of voluminous shapes and
shades of skin

In the summer the space
is prayed upon, for it's
eagerness to cool, but

occasionally, perhaps we don't
mind as much,

for coverings
are vaguer than they are
other points of the year,
and the depths
below the concrete jungle
are cool in their subterranean
melody

and then the change falls
clink-clink-clink

the cards are punched
reminders of the day of
month, sometimes year

but the transaction is far from done,
the conductor's voice replays, repeating
under the covers entering the dreams
you carry within

I never cared much for subways or
people for that matter.  I can't
say much has changed, but change
has occurred, this much I cannot deny

for once poetry caught me in it's net,
every experience and vision
seemed to come alive, each breathing
a song that only I can fully hear

and I never even discussed the conversations,
the ones that only I could hear,
the ones  jumbled together, the
passages of sound and speech,
I patch to form
the ever-changing conduction
of symphonic sound

I never speak of those dear words,
for those transactions, are as sacred as
the nap-sacks and gold studded black
suitcases, white-knuckle clutched close
to traveling hand

Head on over to D'Verse tonight and check out their weekly Poetics feature, where Claudia has offered up this Subway inspired prompt. Come read what others have linked up and while you're there, as always, link your subway poem to share.




Saturday, January 14, 2012

A Question of Artistry (part II)


Artists
Among
Artistry

Delving deeper
Into the space
Where art
And ART
Meet

Does a spot exist, amidst the boils of creation, for respect?

Or will the Artist, flee from tradition—
To expression’s end,
And find value
In the incorporation
Of the old with his new artistry

Will a jade pin collapse
The pore-like jitters    *Conscience)

And will the tingles properly
Illustrate what mind believes
May be inappropriate if not damnable

Or will
The Artist
Create
As he’s always done
And has
Always been encouraged to do
Or will he abandoned

All he ever knew to know
All he ever knew how to be

A Question of Artistry (part I)


Masked men
Plates of white
Tailor-trimmed
In skull-black
Artistry.

Columns of withered
Wearisome antiquity,
Shying away from the
Fact they are historic,
All they feel is ancient.

If restoration
Is all that can be
To save their days
To share,
To brighten their reds and greens
To offer future children
Countless days to stare
Is that enough—
For these elders to keep breathing