Showing posts with label Molds. Show all posts
Showing posts with label Molds. Show all posts

Thursday, July 14, 2011

Iconoclast


If the strings to short
Extend the chord to make it long
         When a heart is torn
         A survivor’s returns     
         Stronger than it was before

Free radicals
Rapidly destabilize-
Frenetic copulation
Generating many more

Free-thinker
Backslider
         Revert to habits lost yet bold
                  Relapse to actions undesirable
Skeptic
Apostate
         Unorthodoxy filling plates
         To devalue what’s been great
         To diminish, divert and deviate
Abate
         The pieces that make you this way
         To take away, detractors
                  Rejects heretical
                           Reactive ruination of the piece
                                    Blind attacks upon the cherished face
                           Cynical rebuts, breaking molds with each tirade
Rebel, rebel
         Last single of the dance
                  A revolt against stylistic stance
                           A Bowie knife-
Into the hierarchy of a conformed romance

To be like lambs
I could follow with a reference to slaughter
Which would be suspected, perhaps expected
But then I’d be the same as many
Lost in a realm of less than plenty
Compromising my position
To allow the confines sealed for the countless more
Instead I’ll permit my thoughts to graze
In the open pastures of free range
Bucking trends, if so be seen,
Elkono + Klas+ Tes, an agent Noun, of change, which I’ve yet to determine if I’m so inclined, to allow a definition to occupy, the meaning of what I believe to be.

Friday, January 28, 2011

The Russian Doll

Layers peeled like potatoes fated to a distillery,
Skin shed, time upon fractured time,
The powerful enigma, the Omniscient Cantor
To his hymnals of forgiveness and forgetfulness
                The hand of the artist revolves in cyclical indemnity,
                Guilt layered youth upon elder form,
                Structure confined to intent,
                The artist struggles with his own contempt,
                                Recoiling like a cobra,
                                Tossed from wicker, disoriented in vision,
                                Senses ruffled by the vicious flute,
Artistic indifference, fails to cast the mold,
The smaller self emerges,
As the open-world then withers, in its’ traditional regards, falling like snake-skin,
Slithering past the point of coherence,
Pushing through the blankets of confidence,
Arriving upon self-discovery, self autonomy,
Through the disenchanted illuminations of sinful hints,
Like a Russian doll,
Another mold for society to bend.